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Curatorial
statement Linda Carroli Skimming the Surface Southbank Brisbane
1998. Link
to sample audio file MP3 file (1megabyte)
Located in the Nepalese Pagoda, Ross Barbers audio installation,sleeper/trace
has an ambiguous quality.
This minimal sound work is quiet yet insistent, everywhere yet nowhere.
Despite it’s fleeting quality, this work is about marking territory:
marking place and the body. |
These
sounds float through and mark space, time and the body which sleeps
and speaks. sleeper/trace begins with the repetition of a question,
"do you speak English?" and ends with a recitation of
the English alphabet vowels
while ambient sounds of breathing and birdsong fill the space
between. The birds mark their territory through their song. You
might wonder about the circumstances in which the question is
asked and the environments in which the vowels are emphatically
sounded and echoed. This echo is an insistent reminder of the
learned rules of language which dominate an understanding of a
place and the manner in which it is mapped. Through our language,
as the means of naming and mapping, we claim ownership. Imagine
first contact, if indeed those soldiers, convicts or settlers
stopped to ask questions, the asking of this question to Indigenous
inhabitants while a bird sounds and the land beneath their feet
breathes or sleeps. The language one speaks becomes a means of
establishing identity, commonality and difference. That is one
of many possibilities. Throughout history, this question has been
asked to ascertain where people, as tourists or migrants, are
from, whether they are indeed from this place and whether they
will fit in. Unfortunately, its sounding can sometimes be threatening
and sinister because bigotry has a history too.
Barber has been canny locating the work inthe Pagoda, one of the
few sites in Brisbane dedicated to enduring peace, tolerance and
goodwill.
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